May 2007 Issue

This month's articles

-CATCH THE WAVE--Dear Golf Magazine Editors, Welcome to the past. Listen to Manuel de la Torre 20 years ago or look at his 2004 DVD and you’ll hear him explain the “tidal wave” effect for bunker shots.

-DON’T LEAVE UPHILL WEDGES SHORT—When you are playing from an uphill lie there are two strategies: spine perpendicular to the hill (like Dave in photo #1), or spine vertical (like Dave in photo #6). If your spine is perpendicular the club will not go into the ground after impact. If the spine is vertical it is likely (depending on the grade of the hill) that the club will take a heavy divot or imbed in the hillside. Regarding being short, do this: imagine the normal trajectory of the club you want to use for the shot, then look at the grade of the hill and add that much trajectory to your normal flight, if the added trajectory directs too much of your swings energy upward rather than forward, choose a lesser lofted club.

-DO YOU KNOW 53 YARDS WHEN YOU SEE IT?—Do you know thirteen yards when you see it? Do you need to know the yardage between you and me if we were playing catch? No. Why not, because our tossing is regulated unconsciously by our vision not a consciously by our knowledge of yardage. Have a friend close their eyes and try tossing a ball various yardages as per your instructions. Now have them do the same thing with their eyes open with makers at those same yardages. Being able to estimate the yardage and being able to send the ball there, uses two different parts of your brain. Yardage is not helpful when you are making partial swings. It is only helpful when you are choosing clubs for full swings. (Look at Dave’s answer to the first question in the upper right hand corner of page 41).

-LASER TREATMENT—DON’T BUY THIS!! Like all your swings, a putting stroke is circular. When you swing this device the laser lines will immediately shine to the right of the target as you start your back swing and will immediately shine left as you pass the impact point. This device is based on a will cause people to try to bring the club straight back and straight through—very unnatural and unnecessarily difficult.

-HOW I STOPPED HOOKING, ONCE AND FOR ALL.—If your grip is too strong or you roll your hands during the swing you can have hooking problems. If your grip is neutral (v’s formed by your thumb and forefinger are pointed at your shirt buttons), and you allow your arms to rotate you will not have a hooking problem. Hogan created his own way of compensating—most players will find its more difficult.

-LONG ARMS ARE THE LAW.—Ok.

-SWIVEL YOUR HEAD FOR EXTRA DISTANCE.—This is a sure formula for hitting lots of shots to the right. Simpler and better is to allow your left arm to fold. This promotes a longer backswing and therefore more time for the club to accelerate.

-MAKE A WEAK EFFORT TO ESCAPE SAND.—Unnecessary.

-GIVE OUR SHORT PUTTS A “POP”.—How much of a pop? The swing is not “poppy” it is very smooooooooth.

-THE NATURAL.—Pay attention to the words “homegrown”. This is a code word for “this swing is so unusual that you’ll almost never see even professionals try it”. Look at J.B.’s club position in photo 3. From an address position, put your club in this position. The clubface is either delofted, facing to the right, or both.

-HOW TO HIT THE PERFECT CHIP.—There is so much wrong with this instruction its almost not worth the trouble.
Wrist Flat—The wrist is the hinge between your hand and forearm it can’t be flat. If the back of the left hand and the forearm are flat (i.e. you could lay a ruler across them), you will find that the club head is severely trailing the handle of the club and the club face aligned severely to the right.
Toe Closed—Todd writes “…your hand should be passive” and then goes on to say, “smoothly rotate the club”. Passive but active? How much should the club be rotated and when?
Weight forward—To fix hanging “back on your right side”, Todd wants us to hang on our left. Why not fix the hanging by making it simple and just be balanced?
Shoulder down—Look at Todd on page 60 in step 4. Is his left shoulder down?
Bottom Line: Use your normal setup and swing the club correctly.

-POWER FROM THE GROUND UP.—So the problem is a handsy swing, and the solution is to check the hips? How does this fix handsy? Do all handsy players have their hips out of place?

-HOW TO MAKE PITCHES BITE.—The ball doesn’t care if the wrist hinge quickly or if the club stops abrubtly. Its simple a matter of clubhead speed + clubhead loft + the type of ball you are using. Use a spin ball (Pro V1), and your most lofted club, and that’s all the spin that anyone can create.
P.S. the grooves do get worn on wedges and therefore they impart slightly less spin.

-HOW TO ROLL WITH THE RIGHT SPEED.—So the problem is that you are unsure how hard to hit a putt. Gary says that practicing rolling it over a pencil will improve your ability to know how hard to hit a putt. Or will it teach you the speed needed to jump a pencil? This is cute but absurd. Most missed putts result from the player concentrating on the ball instead of remembering where the cup is.

-BETWEEN CLUBS?—Ok, but this takes practice.

-2 = SAND ESCAPES.—Unnecessary

-HOW TO MAX OUT YOUR IRONS.—The problem that T.J. describes is “lack of crisp pure feel”. I’m really not sure what that means, are you? Regardless of what it means, do we ever want to contact the “inside lower quadrant” of the ball? From the address position, re-position the club face so it is up against the “inside lower quadrant”. Notice how the clubface is aligned to the right. Is that were you want the ball to go? Look at the small photo where the cup is in the air. Note the divots. T.J. took two shots. The divot for the this shot appears shallow and straight (not against the “inside lower quadrant”). The other divot is and deep and to the right—I think you are likely to get that kind of result from this kind of instruction.

-HOW TO CONTROL EVERY SHOT—Rotating the clubface affects the trajectory and direction of your ball flight. Rotating your hand (“knuckles down”) rotates the clubface. You can over-rotate and under rotate if you begin trying this technique. Be ready for a lot of practice and a lot of under and over cooked shots. Are you into simple? If you want the club face open or closed at impact just pre-set the club at address by rotating the shaft to the left for a hook or rotating it to the right for a fade and then grip the club while it is in that orientation. Now make your normal swing with no need to manage the rotation of your hands during the swing.

-THE CAN’T MISS PUTTING GRIP.—Somebody get Tiger on the phone and let him know he will never again miss a putt. I tried Brad’s suggestion. I could still be as wristy as I wanted.

-A NEW GRIP THAT STOPS YOUR SLICE.—Somebody get Cobra on the phone and tell them to trash all of those offset drivers they make for slicers. I certainly think that the “old way” that Brad describes is a problem but I am able to slice the ball with either of these grips.

-HOW TO STOP PULL-SLICING LONG IRONS.—As long as players focus on the body they won’t fix the pull slice. Dom’s suggest will only result in a pull slice that doesn’t start as far left and finishes further right. Fix the club not the body.

-USE YOUR HEAD FOR EXTRA YARDS.—(see above)

-PRIVATE LESSONS
SQUAT FOR POWER.—At the address position there is a specific number of inches from your swings center (just above your sternum) to the ball. If you squat the number of inches decreases. You will either hit the ball on the heel or hit it fat. No squatting. No swaying. The ball falls from between the knees because the left knee rotates toward the target.

PUTT WITH A FULL FOLLOW THROUGH.—The swing is a pendulum action. If the club swings back to 8 o’clock, it only has enough energy to swing forward to 4 o’clock. We don’t want the follow through bigger and never smaller.

SWING YOUR WEDGES AT 90 PERCENT.—Great advice for all our clubs (85% might even be better).

BUTT OUT!—You spin is not straight. It is “s” shaped. At address our objective should not be to have our butt out but instead to be balanced and relaxed.